少数民族乐器禁忌的文化解读  

Cultural Interpretation of the Taboo of Minority Musical Instruments

作　　者：林剑[1] 

机构地区：[1]华南理工大学艺术学院,广东广州510000

出　　处：《贵州民族研究》2016年第3期80-83,共4页Guizhou Ethnic Studies

基　　金：中央高校基本业务费"双簧管在交响乐队中的重要性及发展研究"(项目号:x2ys D2134200)项目资助

摘　　要：民族乐器不仅凝聚了民族民众的智慧经验,同时也因民族文化浸润形成了各种各样的禁忌,影响着民族乐器的使用和发展,但是对于这一普遍存在的文化现象,目前相关的研究只是零散分布于各种研究成果中,并未进行系统梳理。因此,在对民族乐器禁忌总结基础上,对其中的文化心理和文化功能进行了诠释,以此丰富和拓展学术研究,并促进民族乐器文化的合理传承。The national musical instrument not only embodies the Chinese people＇s wisdom and experience, also by the infiltration of national culture formed a variety of taboo, affecting the use and development of national musical instruments, but for the widespread cultural phenomenon, at present related research just scattered in various research results, did not systematically. Therefore, in this paper, on the basis of the summary of the national musical instruments, the cultural and psychological and cultural functions of the interpretation, in order to enrich and expand the academic research, and promote the cultural heritage of national musical instruments.

关 键 词：少数民族乐器 禁忌 文化 

分 类 号：J63[艺术—音乐]