清早期造物特征——论岣嵝峰佛教石刻艺术  

On Features of Creation in Early Qing Dynasty——On Art of Buddhist Stone Inscription in Gou Lou Peak

作　　者：刘东立[1] 

机构地区：[1]衡阳师范学院美术学院,湖南衡阳421002

出　　处：《衡阳师范学院学报》2016年第2期160-162,共3页Journal of Hengyang Normal University

基　　金：衡阳市社会科学基金项目"岣嵝峰国家森林公园明清佛教石刻艺术研究"(2012D47)

摘　　要：石刻艺术是人类遵循现实社会生活及精神面貌需求而产生的艺术形式,岣嵝石刻包涵着清初期宗教、民俗文化成份,用外在的造型艺术颂诵和表现其精神内诣,同时呈现人类自身存在的艺术天性。本文运用社会伦理、宗法、美学的规律,分析视觉感官语言与文脉传承,提炼清初期造物艺术特征。通过对岣嵝石刻艺术与宗教、民俗文化及当时人们对宗教精神的期望和需求作一番探讨,阐述造型、图像本身存在的意义,以及对当今设计艺术的启示,倡导东方地域艺术元素符号,以打造有中国精神特质和个性的造型设计艺术为契机。The art of stone inscription is a kind of art form which produced by human being＇s following to reality social life and needs of spirit.The stone inscription of Gou Lou Peak includes the elements of religious and folk culture in early Qing Dynasty.It used the external plastic arts to praise and performance its spirit connotation while rendering the artistic nature of the human being itself.This paper analyzed the visual sense and cultural inheritance and refined the art features of the creation by using the social ethics,religious,aesthetic laws.The paper,through discussing of the stone inscription art and religion,folk culture and the expectation and demands of the people to the spirit of religion,elaborated the meaning of the creation and image itself existed and the enlightenment to today＇s design art.The paper advocates the eastern regional artistic elemental symbol to create design art with Chinese spirit and characteristics.

关 键 词：瑞丽吉祥元素 雕刻手法 审美取向 文人意趣 

分 类 号：J314.3[艺术—美术]