明清猿猴叙事的中外文化史渊源  

Monkeys in the Stories of the Ming and Qing Dynasties

作　　者：王立[1] 

机构地区：[1]大连大学语言文学研究所,辽宁大连116622

出　　处：《河北学刊》2016年第3期93-98,共6页Hebei Academic Journal

基　　金：2008年度国家社会科学基金项目<〈聊斋志异〉的佛经渊源与中国传统小说题材模式研究>(08BZW041)

摘　　要：明清猿猴故事的书写,契合了古人华夏中心与"人类中心"的双重心态。作为人类近亲的猿猴类动物,既有类人的特征,又具动物属性。因灵活与善于模仿,猿猴成为人类的娱乐工具;又因其接近人类,"远交近攻"的种族生存谋略,激发了人类的歧视与排斥。人们在表层利用与深层拒斥的生态理念支配下,一旦发现猿猴幻变僭越或敢于向人类挑战便恼火万分。对猿猴武力驱除或话语挞伐的文化模式,既有本土传统,亦有外来宗教文学与观念的影响。Monkeys in the stories of the Ming and Qing Dynasties fit the idea of ＂human center ＂of ancient Chinese people. As a kind of animal close to human beings,it has double characteristics of man and animal. It can work as a tool of entertainment because of its better imitation,but be discriminated and excluded by human beings for it is not fit for the existence strategy of human’s ＂befriending the far and attacking the near＂. Once monkeys are found to challenge human beings,they will make man much irritated,so we may say that the exclusion and disapproval come from Chinese traditional ideas and foreign ideas of religion and literature.

关 键 词：猿猴叙事 明清文史 佛经文学 类人思维 主题学 

分 类 号：I206.4[文学—中国文学]