“荒诞”在彼特鲁舍夫斯卡娅戏剧中的双重体现  

Double Reflects of the Absurd in Petrushevskaya's Drama

作　　者：潘月琴[1] 

机构地区：[1]北京外国语大学

出　　处：《俄罗斯文艺》2016年第2期100-106,共7页Russian Literature & Arts

基　　金："中央高校基本科研业务费专项资金资助"项目;项目编号为2013JJ004

摘　　要：彼特鲁舍夫斯卡娅是当代俄罗斯戏剧的经典作家之一,其戏剧以城市日常生活为主要题材,特别擅长在看似平淡无奇的生活细节中去发现和揭示当代人生活的荒诞性特征。剧作家借鉴西方现代戏剧的美学思想和成就,采用荒诞化的艺术手法将司空见惯的庸常事物升华为象征和隐喻,使作品从日常生存问题上升为哲学思辨问题。因此,"荒诞"在彼特鲁舍夫斯卡娅戏剧中具有内容及形式的双重体现,它也是剧作家戏剧诗学的最重要特征之一。Petrushevskaya is one of the classical writers of contemporary Russian drama. Her dramas are based on urban daily life as the main subjective category. She is especially good at discovering and critically subjecting realistic emotions in the seemingly mundane life and reveals the absurdity of modern life. To be a playwright, she draws lessons from western modern drama aesthetics, thoughts and achievements, with a fantastic visual art gimmick that will be commonly placed to the actual things of sublimation of symbol and metaphor, the work incorporating everyday existence, real problems to philosophical speculations. The obscurity reflected in Petrushevskaya＇ s drama of content and form of double reflect, is also one of the most important characteristics of the playwright＇ s drama poetics.

关 键 词：荒诞 彼特鲁舍夫斯卡娅 戏剧 双重体现 

分 类 号：I512.073[文学—其他各国文学]