论别雷创作中的节奏诗学  

On Poetics of Rhythm in Andrei Bely's Works

作　　者：管海莹[1] 

机构地区：[1]南京师范大学外国语学院

出　　处：《俄罗斯文艺》2016年第2期117-123,共7页Russian Literature & Arts

基　　金：国家社科基金项目"论别雷的小说艺术"(项目编号:13BWW031);江苏高校优势学科建设工程资助项目(优势学科代码:20110101)的阶段性成果

摘　　要：节奏诗学是洛特曼在研究俄语诗歌史时的重要范畴,但是别雷却把它提高到辩证法的高度。别雷的节奏诗学起源于作家的音乐认知,形成于作家的诗歌创作,在作家的小说创作之中逐步发展并日臻成熟,进而延用至作家的理论作品中。总体而言,节奏诗学是别雷创作个性中的第一要素,将他的多种创作形式连成一个整体。别雷在其节奏诗学中表现出他在追寻象征主义艺术理想过程中最具个性化的姿态。The poetics of rhythm is an important category of Lotman in his study of Russian poetics. However, the poetics of rhythm, raised by Bely to the height of the dialectics, stemmed from the writer＇ s music cognition. It was formed in the writer＇ s poetic creation, and developed gradually to maturity in his novel writing, and finally extended to his theoretic works. To conclude, poetics of rythm is the first and foremost element in Andrei Bely＇ s creative personality, connecting his artistic forms together as a whole. Bely＇ s poetics of rhythm shows the most personalized artistic stance in his pursuit of symbolic ideal.

关 键 词：安德烈·别雷 洛特曼 节奏诗学 《碧空之金》 

分 类 号：I512.06[文学—其他各国文学]