论中国戏剧事业赖以发展的摇篮——汉代百戏  

The Cradle of Chinese Opera——Acrobatics in the Han Dynasty

作　　者：张静[1] 

机构地区：[1]驻马店职业技术学院,河南驻马店463000

出　　处：《郑州铁路职业技术学院学报》2015年第4期89-91,共3页Journal of Zhengzhou Railway Vocational and Technical College

摘　　要：百戏是一种包括杂技、武术、幻术、角斗、滑稽表演、音乐演奏、演唱、舞蹈等多种民间技艺的串演。百戏一部分孕育了我国民族的杂技艺术,另一部分却闯入了我国的传统戏剧之中,不但使剧中的歌舞更加具有特色,而且对武技(打)的形成更是有直接的关系。汉代百戏已经具备了戏剧表演的诸多因素,可以称之为我国戏剧事业赖以发展的摇篮。Acrobatics in the Han dynasty include various folk arts,such as acrobatics,martial arts,magic,pancratium,burlesque,music playing,singing and dancing,which not only gave birth to Chinese national acrobatic art,but also Chinses traditional operas. The colorful performances of acrobatics enriched artistic expressions of traditional plays and acrobatic fighting in operas is directly derived from them. For having acquired elements of opera performance,the acrobatics are regarded as the cradle of Chinese opera.

关 键 词：汉代百戏 戏剧事业 发展摇篮 

分 类 号：I206.7[文学—中国文学]