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作 者:茅慧[1]
机构地区:[1]中国艺术研究院舞蹈研究所
出 处:《民族艺术研究》2016年第2期88-94,共7页Ethnic Art Studies
摘 要:云南曾经为全国的文艺舞台提供过美不胜收的民族歌舞。即使到今天,由于种种原因,云南民族歌舞的创作创新成为了新的难题,但此次第十三届新剧目展演的全部作品也仍然呈现出了其他地区作品无法与之相比的丰富多彩、斑斓多姿。云南的舞蹈作品,无论是舞剧,还是舞蹈诗类的,应该追求它的云南味,还是追求现代感?在目前或者今后相当长的一段时间内,"云南味"依然应该是我们需要着力追求和保持的方向。因为这关乎云南在全国乃至世界文化中的辨识度。尤其是那些在民间具有原生形态的舞蹈形式,它是有其独特的生命状态的,具有文化的自足性,如果随意用解构、变形的方式处理,日久天长,我们可能每届新剧目展演都一部一部搞些新作出来,可是几十年下来,民族的传统舞蹈风貌就消失殆尽了。综览整个展演的舞蹈类作品,值得反思的问题一是民族舞蹈语汇的量度和尺度在哪里?二是舞蹈诗意归何处?尽管有这样那样的遗憾、缺陷和不足,但是,云南的文化艺术事业仍在征途上不懈地跋涉,仅就新剧目展演这项活动已举办到第13届而言,足以证明云南是有毅力、有决心、有底气再铸辉煌的。Yunnan has supplied many wonderful ethnic singing and dance performances for various stages all over China. Although for various reasons, the innovation of the creation of ~unnan ethnic dance has become a new difficult issue, all the works shown in the Thirteenth Yunnan New Drama Show still show diversity and beauty that other regions cannot compare with. Should Yunnan dance works, whatever forms they are shown, manifest their" Yunnan flavor", or pursue modernity? In the present and for a long time in the future, "Yun- nan flavor" is still what we should try hard to pursue and maintain, because it can distinguish Yunnan culture from the culture of other parts of China or even the world. It is especially true for those folk dances with their primeval forms. These dances are self - sufficient and have their unique life, so if we deal with them by de- construction and deformation, the unique features of ethnic traditional dances may gradually die away. By reviewing the works shown in the Thirteenth Yunnan New Drama Show, there are two questions worth consid- ering: how can we measure the language of ethnic dance What is the meaning of dance poems Despite some regrets ~ defects and deficiencies, Yunnan arts and culture are still constantly making progress. That Yunnan New Drama Show has been held for 13 times is sufficient to prove that Yunnan has the perseverance, deter- mination, and confidence to rejuvenate its arts and culture.
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