论木偶剧艺术创作的整体性  

On the Integrity of the Creation of Puppet Show

作　　者：胡万峰[1] 

机构地区：[1]中央戏剧学院舞台美术系

出　　处：《戏剧（中央戏剧学院学报）》2016年第2期48-54,73-76,共7页Drama:The Journal of the Central Academy of Drama

摘　　要：文章围绕人偶剧的舞美创作,浅析了木偶剧艺术创造的整体性概念。舞台美术创作是一个整体的设计,它包含了舞台绘景、舞台灯光、舞台人物造型等。在人偶剧中,偶、人、景是一体的,因而舞台美术设计的整体性即显得尤为重要。The paper centers upon the stage design of puppet play and lunches a tentative analysis upon the overall concept of puppet play＇s artistic creation. The stage artistic creation is the design as a whole, including scenary painting, stage lighting, character modelling etc.. In a puppet play, the three elements as puppets, human characters and scenes, constitute a complete system, thus the integrity of the stage artistic design appears particularly important.

关 键 词：木偶剧艺术 舞台美术 造型 

分 类 号：J827[艺术—戏剧戏曲]