《儿女情长》创作心得  

The Stories Behind the Creation of Affection Between Children and Parents

作　　者：陈治[1] 武欣[2] 

机构地区：[1]天津美术学院何家英工笔画研究所 [2]天津画院

出　　处：《天津美术学院学报》2015年第5期24-29,共6页Northern Art:Journal of Tianjin Academy of Fine Arts

摘　　要：陈治、武欣两位青年画家因画结缘,早年同为天津美术学院的同班同学,且都师从于工笔人物大家何家英先生。毕业后,陈治留母校任教,现为天津美术学院副教授;而武欣则成为了天津画院的专职画家,现为国家二级美术师。他们始终对于家庭生活题材有着浓厚的兴趣及表现欲望,并以此为视角,寻求最符合自我的表达方式来表现真实的生活及自身对生活的感悟。自二人合作以来,不论是获得了第十一届全国美展银奖的作品《零点》,还是此次获得第十二届全国美展金奖的作品《儿女情长》(该作品在我刊今年第一期,介绍本届全国美展中国画展的文章中已有先期报道),都以个人的独特视角来表现淳朴的家庭生活,展示了当下社会中普通人的生活状态,激发观者从情感上产生共鸣。当我们面对《儿女情长》这样一幅作品时,有必要进一步了解作品背后的创作缘由、创作过程,并探求由此生发的更为深层的创作意义。As classmates studying under the meticulous figure painting master He Jiaying at Tianjin Academy of Fine Arts, Chen Zhi and Wu Xin entered into marriage because of painting. After graduation, Chen Zhi remained at his alma mater as a teacher, while Wu Xin became a professional painter at the Tianjin Academy of Painting. From their works, we can see their strong interest in themes related to family life and their desires to depict family life and express their understanding of it in their own way. Their cooperation has been proved to be productive. Zero Hour and Affection Between Children and Parents, which are their representative works reflecting family life, won the Silver Award at the l lth National Exhibition of Fine Arts and the Gold Award at the 12th National Exhibition of Fine Arts respectively. From their unique perspectives, they portray simple family life, trying to reveal the conditions of life of common people in today＇s society, striking a chord with the visitors. In this paper, we will probe into the reason, process and significance of the creation of Affection Between Children and Parents.

关 键 词：天津美术学院 工笔人物 同班同学 PAINTING 生活题材 二级美术师 何家英 中国画展 DAUGHTER mother 

分 类 号：J212[艺术—美术]