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机构地区:[1]中央美术学院中国画学院 [2]中国民航大学
出 处:《天津美术学院学报》2015年第6期54-62,共9页Northern Art:Journal of Tianjin Academy of Fine Arts
摘 要:本文以中国当代艺术语境下的书法创作现状为切入点,从文字作品对于传统书法的解构与重塑、以线与空间为桥梁构建的水墨新世界、自身语言谱系所承载的精神取向等多元维度探索邱振中自身语言谱系的生成与建构,试图廓清邱振中艺术创作之中所涉及的书写、图形与精神等之间的关系以及学理脉络,并由此案例加深我们对书法艺术和中国当代艺术研究等方面的认识与解读。Starting from the present situation of calligraphic creation in contemporary Chinese art contexts, this paper explores the generation and structuration of calligrapher Qiu Zhenzhong's independent language genealogy in terms of his character works deconstructing and reshaping traditional calligraphy, his new world of ink and wash painting framed by line and space, and his spiritual orientation carried in the genealogy. It attempts to elucidate the relationship among writing, form and spirit as well as theoretical thinking in his works, thereby enhancing our comprehension of calligraphy art and contemporary Chinese art in a broader sense.
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