津派花鸟的开拓者——阮克敏的花鸟画  

Pioneer of Tianjin School of Flower-and-Bird Paintings:Ruan Kemin's Flower-and-Bird Paintings

作　　者：袁宝林[1] 

机构地区：[1]中央美术学院

出　　处：《天津美术学院学报》2015年第11期36-41,共6页Northern Art:Journal of Tianjin Academy of Fine Arts

摘　　要：天津花鸟画家阮克敏关于工笔与(大、小)写意,以及国画与工艺美术关系进行了一系列的思考,这些思考影响着他的创作。在阮克敏"大小写意之间"的艺术研究与创作中,他不断思索"形而上"和"形而下"的问题,同时结合自己工艺美术的专业知识探索花鸟艺术的形式美,提升自己对艺术规律与法则的认知与把握,提升作品的艺术品位。在雅俗共赏的意味上,他的画面展现出一种既平易生动又能"小中见大"的新津派花鸟的萌动。Ruan Kemin, a flower-and-bird painting artist in Tainjin, has a series of reflections on the relationship between meticulous painting and （great and slight） freehand brushwork, and between traditional Chinese painting and industrial art,which have had an impact on his artistic creation. In his artistic researches on and creation in the style ＂between great and slight freehand brushwork＂, he constantly thought about the philosophical problems of ＂metaphysical＂ and ＂physical＂, and with his knowledge of industrial art, explored the formal beauty of flower-and-bird painting, so as to further the understanding and mastery of rules and laws of art, and improve the artistic quality of his works. In the sense of suiting both refined and popular tastes, his paintings manifest a germination of the flower-and-bird painting of the New Tianjin School, characterized by plainness and liveliness, and the ability to ＂reflect a large world through a limited scene＂.

关 键 词：写意花鸟画 工笔 形而上 形而下 

分 类 号：J212[艺术—美术]