“崩与绝”:生命与艺术之盟约——奎胡安的歌剧《高迪》  

Gaudí:Fragmentation and the Absolute-An Opera by Joan Guinjoan

作　　者：刘晨[1] 

机构地区：[1]清华大学建筑学院

出　　处：《世界建筑》2016年第2期108-111,共4页World Architecture

摘　　要：加泰罗尼亚语"陶瓷马赛克"的本意为"碎裂、崩溃"。1992年,加泰罗尼亚作曲家奎胡安为商迪创作了一部歌剧,取名"崩与绝"。一语双关:彩陶碎片拼贴的奇观背后,其实是一场茫茫求索的精神危机。他像高迪一样,在乡愁与当下多重现实的对话间孜孜探求表达的自由。两幕剧围绕"崩"与"绝"鼹开,以崩裂世兴,决绝煞尾。借高迪之口,奎胡安道出了歌剧的终极主题:生命与艺术之盟约。In Catalan, ＂trencadis＂ means fragile or brittle.As a mosaic technique,it features prominently in Gaudi＇s architecture.In his opera Gaudi：Fragmentation and the Absolute,the Spanish-Catalan composer Joan Guinjoan used ＂trencadis＂ as a metaphor for the architect＇s efforts in reconciling the fracture of social order with coherent artistic vision.The composers own experience and that of the architect are merged into a single compelling representation of the pursuit of artistic and expressive freedom.

关 键 词：高迪 奎胡安 陶瓷马赛克 

分 类 号：J832[艺术—戏剧戏曲]