流动的现实主义——近年来少数民族文学创作趋势扫描  

The Flowing Realism: Scan of Minority Literary Creation in Recent Years

作　　者：刘大先[1] 

机构地区：[1]中国社会科学院民族文学研究所

出　　处：《贵州民族大学学报（哲学社会科学版）》2016年第2期76-96,共21页Journal of Guizhou Minzu University:Philosophy and Social Science

基　　金：国家社会科学基金重大招标项目"<中国少数民族文学理论批评文库>编纂与研究"子项目"中国少数民族文学理论批评文库.研究卷"[项目编号:11&ZD124-10]

摘　　要：现实主义的回归是近几年来少数民族文学创作的突出特征,通过对当下少数民族小说、诗歌、散文的扫描,我们发现回归的现实主义既包含19世纪经典现实主义手法,也有着自然主义书写,更有吸收了先锋文学营养的日常写作,更涵盖了以"真实性"为旨归的非虚构写作,这种现实主义是因应现实而不断以不同面貌呈现的"流动的现实主义"。尽管在当下少数民族文学中,现实主义及其不同变体取得了一定的实绩,但存在着平面化、狭隘化和窄化的风险,需要结合卢卡契的总体性与布莱希特的现实感,倡导一种全面、立体、完整地呈现、再现与表现的创作自觉。The return of realism is an outstanding feature of minority literary creation in recent years. Through a scan of contemporary minority novels,poems and essays,we find that the return of realism includes the classical realist techniques of the 19 thcentury,an adoption of naturalism,an intake of vanguard literature＇s nutrition,and the non- fictional writing based on ＂reality＂. Hence,the realism is a ＂flowing realism＂that takes on a different look in a different situation. It is argued that much progress has been made in terms of varieties of realism in contemporary minority literature,yet there are risks of flatness,insularity and narrowness; hence,the overall features of Georg Luacs and the realistic features of Bertolt Brecht should be combined so as to advocate an overall,cubic and entire creation self- awareness of presentation,re- presentation and expression.

关 键 词：无边的现实主义 平面化 自动写作 素朴的诗 非虚构 

分 类 号：I2[文学—中国文学]