十九世纪音乐:古典传统与浪漫主义  

Nineteenth Century Music:Classical Tradition and Romanticism

作　　者：孙国忠[1] 

机构地区：[1]上海音乐学院音乐学系

出　　处：《黄钟（武汉音乐学院学报）》2016年第1期4-23,共20页Huangzhong:Journal of Wuhan Conservatory of Music

摘　　要：以"十九世纪音乐"的指称来取代"浪漫(主义)音乐"实际上给予音乐史学者对这个时代音乐现象、语境、特征、潮流等问题言说的更宽阔的论域和学术空间。"浪漫主义"作为一种音乐风格而存在,它的艺术独特性和在西方音乐史上的"时代意义"都是不可忽视的音乐史实。强调"古典主义"与"浪漫主义"在音乐史上的密切关系和特殊意义,正是为了从深层上理解从"古典"到"浪漫"的连续性。从十八世纪晚期到十九世纪上半叶的音乐进程表明:"古典"与"浪漫"这两个对当代音乐生活影响最大的"音乐时代"形成了极为紧密而特殊的艺术关联,以"经典"认知为导向的"传统"建构及其艺术演变的张力成为贯通"古典"与"浪漫"之音乐命脉的基准与核心能量。＂Romantic Music＂, a traditional term for period history of music, has been gradually replaced by ＂Nineteenth-Century Music＂, which actually gives music historians the broader context and realm to research musical phenomena, characteris- tics and trends in this period. As a musical style, Romanticism and its artistic individ- uality becomes a prominent fact in the history of Western music. The evolution of mu- sic from the late eighteenth century to 1850s tells us that a particular unity of Classi- cism and Romanticism, built upon the construction of the Classical tradition with a sense of identity of the music canon, demonstrates the great vitality and spectacular in the development of Western music.

关 键 词：音乐断代史 十九世纪音乐 浪漫主义 古典主义 音乐经典 

分 类 号：J609.9[艺术—音乐]