蔡元定《律吕新书》在明代的传播与接受  

The Reception and Dissemination of Cai Yuanding's LüLü Xinshu in Ming Dynasty

作　　者：潘大龙[1] 

机构地区：[1]华东师范大学文学院

出　　处：《黄钟（武汉音乐学院学报）》2016年第1期87-95,共9页Huangzhong:Journal of Wuhan Conservatory of Music

摘　　要：文章分两部分,第一部分介绍《律吕新书》版本系统及明代诸家注释本的著述情况;第二部分阐述明代乐论对《律吕新书》接受态度的演变。《律吕新书》自明初随《性理大全》被立为教典后,蔡氏乐学即成为官方乐论,《律吕新书》的刊行亦贯穿有明一代。至成、弘之际,对《律吕新书》的质疑开始出现,这种思潮在嘉靖乐学大讨论时期逐渐升温,并在万历间达到顶峰。此后蔡氏乐学开始衰落,古代乐学高峰逐渐实现了由蔡元定至朱载堉的过渡。This thesis consists of two parts, the first one is to introduce the edition system of LuLu Xinshu （The New Book of Temperament） and the books annotated of Ming Dynasty; The second part is to introduce the evolvement of the acceptance ofLuLu Xinshu （The New Book of Temperament）. The temperamentology of Cai Yuand- ing has become official social theory ever since the book has become official text- books. In the periods of Emperor Chenghua and Emperor Hongzhi, the questions about the book began appearing, and the query is gradually rising in the periods of Emperor Jiajing, and reached its climax in the periods of Wanli. From here, the tem- peramentology of Cai Yuanding began decline gradually, the zenith of ancient music realized the substitution between Cai Yuanding and Zhu Zaiyu

关 键 词：蔡元定 《律吕新书》 明代乐论 

分 类 号：J609.2[艺术—音乐]