展现过程各有差异艺术坚守殊途同归——两部新中国管弦乐作品修订版本之我见  

Different Process Obtained the Same High Art Value— My Opinion on the Revised Version of the Two New Chinese Orchestral Music Works

作　　者：张少飞[1] 

机构地区：[1]浙江传媒学院音乐学院

出　　处：《黄钟（武汉音乐学院学报）》2016年第1期115-126,共12页Huangzhong:Journal of Wuhan Conservatory of Music

基　　金：2013年度教育部人文社会科学研究艺术学项目<新中国管弦乐创作研究(1949-1981)>(编号:13YJC760111)中期成果

摘　　要：文章围绕吕其明的交响序曲《红旗颂》和施万春的《节日序曲》作品修订为研究主线,通过对若干中外管弦乐经典之修订始末的研究、回顾,认为部分新中国管弦乐作品的修订可分属"与时俱进"和"始终如一"等不同状态;进而指出,我国当代作曲家中的有识之士在作品修订的自为过程中,虽历经时代变迁,且表现各有差异,但最终已然走上了"对艺术标准的终极坚守"这一殊途同归的自觉之路。This paper mainly researched on the revision of two works, Overture Ode to Red Flag by Lu Qiming and Festive Overture by Shi Wanchun, through study- ing and reviewing the whole revision process of several Chinese and foreign orches- tral classic works, it considered that the revision of some new Chinese orchestral mu- sic works could be divided into the different state of ＂keep pace with the times＂ and ＂always remain a constant＂; Further it pointed out that the insight of contemporary Chinese composers revised their own works, although after the changes of the times, and different from each other, but eventually already embarked on the ＂ultimate stan- dard of art insists on＂ this reach the same goal by different routes of self-conscious- ness.

关 键 词：吕其明《红旗颂》 施万春《节日序曲》 管弦乐 作品修订 

分 类 号：J614.5[艺术—音乐]