弃绝人类此在的哀诗——保尔·策兰诗文《线条太阳》之诠释  

Declaration of Abandoning This Being in Poetry:An Interpretation of Paul Celan's “Threadsuns”

作　　者：吴建广[1] 寇潇月[1] 

机构地区：[1]同济大学外国语学院德语系,上海200092

出　　处：《外国语文》2016年第1期1-7,共7页Foreign Languages and Literature

基　　金：教育部人文社会科学基金项目"对人性灾难的诗学反思--战后德语文学语境中的策兰诗文"(07JA752005)阶段性成果

摘　　要：策兰的诗学总体呈现出一种转折:语言的转折、呼吸的转折、生命的转折,这种本质性转折不仅是策兰中后期诗学的主导性主题和本质性内涵,也显现在诗学结构之中。这一攸关生死的转折在《线条太阳》一诗中得到充分彰显。《线条太阳》一诗从主题到结构都在表述对人类此在的否定,对光音彼在的向往。这就是呼吸转折之本义,也是诗人在人性灾难之后难以在此在生存,而走向彼在的诗学宣言。The poetics of Paul Celan presents a kind of turn as a whole： the turn of language, the turn of breath and the turn of life. This essential turn not is only the dominant theme and the essential connotation in the middle and later periods of Celan＇ s poetics, but also appears in the poetic structure. The turn, which is a matter of life and death, is fully manifest in the poem ＂Threadsuns＂ （Fadensonnen）. Thematically and structurally, the poem ＂Threadsuns＂ expresses the negation of this being and the aspiration to the light-tone beyond. That is the original meaning of the breath turn and also the poet＇ s declaration of his making for the beyond when he found it difficult to maintain this being after experiencing the disaster in humanity.

关 键 词：策兰 线条太阳 光音 彼在 

分 类 号：I516.072[文学—其他各国文学]