“窜三苗于三危”新辨  

New Research on“Migration of Sanmiao Tribal People to Sanwei”

作　　者：连振波[1] 

机构地区：[1]定西师范高等专科学校,甘肃定西743000

出　　处：《石河子大学学报（哲学社会科学版）》2016年第2期111-119,共9页Journal of Shihezi University(Philosophy and Social Sciences)

基　　金：国家社会科学基金项目"陇中文学研究"(12XZW008);甘肃省哲学社会科学基金"关陇理学与当代价值研究"(WB103)

摘　　要："窜三苗于三危"的地望研究,是一个关乎西北民族发展流变的话题。以往关于"三危"地望的争鸣,以在今甘肃敦煌市东南三危山,在康、藏、卫三地及在今甘肃中部(鸟鼠山西南)者最有影响力。徐南洲"黑水即洮河"的观点,是能够符合人文地理学实际的。齐家文化陶器(包括辛店文化、寺洼文化)相对于马家窑彩陶,其历史时段、彩陶器形、彩陶图案内涵三个方面,均与马家窑文化陶器不符,比对分析得出齐家文化、辛店寺洼文化,不是马家窑文化的延续,而是戎狄部落的文化遗迹。故"三危"地望在今甘肃中部(鸟鼠山西南)的观点,比较符合历史真实和考古发现。The research of ＂Migration of Sanmiao Tribal People to Sanwei＂ location is a key topic about the develpment and evolution of northwest nationalities. Among the disputes of ＂Sanwei＂ location in the past,the Sanwei Mountain at the southeast of Dunhuang county,the border area of Kang,Zang and Wei,and the central part of Gansu today（southwest of Birds and Mouse mountain） are of the most influence.XU Nanzhou’s idea that ＂Heishui River＂ is Taohe River conforms to the practice of humanistic geography.Qijia culture pottery（including Xindian culture and Siwa culture） relative to the ancient painted pottery of Majiayao culture,its historical period, painted pottery wares and painted pottery design connotation do not conform to the painted pottery of Majiayao culture,so Qijia culture,Qindian culture and Si Wa culture are not the continuity of Majiayao culture,but the cultural heritage to the Rong and Di tribe. So the idea that the ＂Sanwei＂ location is in the central part of Gansu today（southwest of Birds and Mouse mountain）conforms to the historical truth and archaeological excavations.

关 键 词：三危 黑水 洮河 西戎 彩陶 

分 类 号：K878[历史地理—考古学及博物馆学]