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作 者:李小奇[1]
出 处:《暨南学报(哲学社会科学版)》2016年第4期64-71,130-131,共8页Jinan Journal(Philosophy and Social Sciences)
基 金:国家社会科学基金重点项目<唐代园林与文学研究>(批准号:15AZW005)
摘 要:宋代的园林实体虽几尽消逝,幸有正史、笔记、诗、词和六百多篇园记散文等资料记录下当世园林的样貌。与其他资料相比,园记散文的记述更为详细,在以文字构筑的文学空间中立体再现了园林空间中的林水景观和园居生活。从宋代园记可见,唐诗对宋代园林影响深远。它直接影响着宋代物质园林空间卜筑的意境和艺术手法,还融入了园主的生活情趣、思想情感,构建起园林的精神空间。本文以宋代园记为考察中心,呈现唐诗、宋园艺术融合的文化现象,抉发唐诗在宋代园林双重艺术空间构筑中的价值和意义。The garden entities in the Song Dynasty almost disappeared. Fortunately,there are official history materials,notes,poems and more than 600 landscape prose,which have recorded the views of those gardens at the time. Compared with other materials,landscape prose gives a more detailed description of those gardens-the literary space created by words establishes a three-dimensional reproduction of the forest landscape and reveals people's activities. Tang poetry has a profound influence on the gardens of Song dynasty. It not only influences directly the artistic conception and artistic technique of the garden design in Song Dynasty,but also integrates into the garden owner's lifestyle,thoughts and emotions,constructing the spiritual world of the garden. By focusing on the landscape prose in Song Dynasty,this paper aims to present the cultural phenomenon behind the artistic combination of Tang poetry and landscape ar-chitectures in Song period,and to disclose the value and significance that Tang poetry has brought to the dual-artistic landscape architecture of Song Dynasty.
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