“莽汉主义”诗歌:“垮掉”阴影下的游走  

Boorist Poetry:Wandering in the Shadow of Beat Poetry

作　　者：白杰[1] 

机构地区：[1]太原师范学院文学院,太原030012

出　　处：《江汉学术》2016年第3期59-67,共9页JIANGHAN ACADEMIC

基　　金：国家社会科学基金项目"美国后现代诗歌与中国第三代诗歌比较研究"(11CWW004);全国高校外语教学科研项目"美国后现代诗歌在中国的译介传播及汉化机制研究"(2014SX0001A)

摘　　要：中国当代新诗之"莽汉主义"与美国垮掉派有着密切的亲缘关系。1980年代中期,莽汉诗人初涉诗坛时,不仅可以上承朦胧诗、"文革"地下写作而汲取到今天派等精神因子,还可相当广泛地接触到已被批量译介的垮掉派文艺。在具体创作中,以李亚伟为样本,我们更可以清晰看到垮掉派作品传播对诗人创作风格转变的牵动。伴随垮掉派的强力辐射,莽汉主义表现出迥异于传统诗歌的精神气质和艺术形态,成为第三代诗歌运动的先行者,但仅隔数年就衰落解体,无力成为先锋诗坛的主力。究其病灶,主要集中在两方面:一是以行动意识代替写作实践、以青春激情稀释人文理想;二是"文革"记忆恶性膨胀。二者合力将莽汉主义推至破坏、解构一极,而未确立积极的建构意愿。China ＇ s ＂Boorist＂ contemporary new poetry was the middle of the 1980s when they stepped into the poetry circle, genetically affiliated to America＇ s Beat Poetry. During the Booristpoets could both absorb Today Poetry＇ s spiritual factors from Mist Poetry and underground writings of the Cultural Revolution and also widely get in touch with the large amount of translated Beat literature. From the poems, Li Yawei as a sample, one could clearly see the pull of the Beat Poetry on their change of styles. Bearing the powerful radiation of the Beat Poetry, Boorism presented the ethos and art forms that were entirely different from the traditional poetry and became the pioneer of the third-generation-poetry movement. But only after a few years, it declined and disintegrated and was unable to take the lead in the circle of the Pioneer Poetry. Its niduses lie in two aspects ： the replacement of writing practice by consciousness of action and the thin- ning of humanistic ideals by youth passion ; vicious expansion of the Cultural Revolution memories. Before it could establish its active desire of construction, Boorismwas cornered to the pole of sabotage and destruction by the two forces combined.

关 键 词：莽汉主义 李亚伟 垮掉派 金斯伯格 第三代诗歌 

分 类 号：I207.209[文学—中国文学]