连环画中刘胡兰形象建构过程的叙事考察  

The Narrative in the Image Building of Liu Hulan in Comic Strips

作　　者：杨胜刚[1] 黄灯[1] 

机构地区：[1]广东金融学院财经传媒系,广州510521

出　　处：《上海大学学报（社会科学版）》2016年第3期116-126,共11页Journal of Shanghai University(Social Sciences Edition)

基　　金：教育部人文社科研究规划基金项目(11YJA751085)

摘　　要：刘胡兰作为一名家喻户晓的革命英雄,其具有象征意义的确定形象,定型于"文革"期间的经典化。事实上,伴随着不同话语形态的显隐,刘胡兰形象在不同历史阶段,经过了复杂的建构过程。从"日常叙事中的少女"到"阶级叙事中的英雄",其面目逐渐明晰,性格逐渐单一。以连环画为观照点,通过对刘胡兰形象变迁的叙事考察,可还原刘胡兰的"女英雄"形象是如何通过"取舍"和"改编"的手段被建构起来的过程,并以此揭示革命英雄叙事在统一的主流价值基调下,在"本事"和"故事"之间的较量中,所蕴含的民间话语和意识形态话语之间的斗争。Liu Hulan,as a household revolutionary heroine,became a definite image carrying symbolic significance after the canonization during the period of Cultural Revolution. The image building of Liu Hualan,in effect,was a complicated process accompanied by the prominence of difference discourse patterns at different historical phases. From ＂a maiden in the routine narrative ＂to ＂a heroine in the narrative of class struggles＂,the image of Liu Hulan was gradually depicted as a monotonous character. Through the examination of Liu Hulan＇s image changes in the perspective of comic strips,the paper traces how the stereotype of the＂revolutionary heroine＂was built through＂adoption or deletion＂and＂adaptation＂. It also reveals that under a unified mainstream tone in narrating revolutionary figures,the competition between ＂original story＂and ＂arranged story＂reflected the rival between folk discourse and ideological discourse.

关 键 词：日常叙事 革命英雄叙事 形象建构 话语之争 

分 类 号：J218.4[艺术—美术]