论明清小说评点中的审美主体间性话语  

On the Discourse of Aesthetic Inter-subjectivity in the Ming-Qing Novel Critique

作　　者：陈士部[1] 

机构地区：[1]淮北师范大学文学院,安徽淮北235000

出　　处：《沈阳工程学院学报（社会科学版）》2016年第2期152-156,217,共6页Journal of Shenyang Institute of Engineering:Social Science

基　　金：国家社科基金重大项目(12&ZD013);教育部人文社科规划基金项目(11YJA751005)

摘　　要：以圈点抹删等独特符号和总评、回评、眉批或夹批等特有话语形式为标示的明清小说评点是明清小说批评理论中的重要范式,它同明清小说的繁盛存有某种互动共生的关系。明清小说评点注重物我冥合、心物交融的言说境界,这种审美主体间性话语已成为明清小说美学的精魂。明清小说评点是对明清小说文本的精神守护,探究明清小说评点中的审美主体间性话语则是对明清小说美学的理论守望。Marked as the various unique symbols and the various specific forms of discourse,the critique of the Ming-Qing novelsis an important paradigm of the critical theory of the Ming-Qing Novels,which has the relationship of interactionwith the Ming-Qing novels. The critique of the Ming-Qing novels focus on the blend of mind and matter,which has become the soul of the Ming-Qing novels. The critique of the Ming-Qing novels is the spiritual guardian of the novel text,Simultaneously,exploring the discourse of aesthetic inter-subjectivity in the Ming-Qing novels is the theoretical watch of the Aesthetics of the Ming-Qing novels.

关 键 词：明清小说 评点 审美主体间性话语 

分 类 号：I242[文学—中国文学]