《文心雕龙》文章源发理论探析  

A Discussion on the Theory of Essay's Birth in Wen Xin Diao Long

作　　者：张坤[1,2] 

机构地区：[1]南京大学文学院,江苏南京210023 [2]云南民族大学文学与传媒学院,云南昆明650500

出　　处：《南昌大学学报（人文社会科学版）》2016年第2期124-128,共5页Journal of Nanchang University(Humanities and Social Sciences)

基　　金：国家社会科学基金项目"诗性文化与<文心雕龙>的诗性遗存研究"(12BZW011)

摘　　要：刘勰《文心雕龙》关于文章源发的观点潜藏于其理论体系之下,值得我们深入挖掘。文章源于作者内心,是心的自然外发。从心的萌发到文辞彰采有一条曲折蜿蜒的审美路径:从心术之动到情志萌生为第一阶段,内在情志外化为辞采则是第二阶段。具体而言,心遇于外物,便有所谓的"心术之动","情"因此萌生,"情"貌似直接外现为文采,但实际上它必须首先自然外发,并直接外化为文字篇章,这样体现形式感与审美性的文采才赖以依附与展现。The point of essay＇s birth lurks under the theory system of Wen Xin Diao Long,which is worthy of deep research. Essays are born of the author＇s heart,and are the heart＇s natural appearance. There is a quite twisty aesthetic road from the heart＇s germination to bright literary grace of writings. The first period is from the heart＇s movement to the emergence of feeling. The second period is that the inner feeling is externalized to article and literary grace. Concretely speaking,when the heart happens to objects,there is heart＇s movement and feeling is born.Feeling seems to manifest itself in literary grace directly. In fact,feeling must show itself naturally and manifest itself in works at first,and then literary grace can adhere to works and show its formal sense and aesthetics.

关 键 词：《文心雕龙》 文章源发 情志 萌生 外化 

分 类 号：I206.391[文学—中国文学]