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作 者:张均[1]
出 处:《海南师范大学学报(社会科学版)》2016年第4期1-8,共8页Journal of Hainan Normal University(Social Sciences)
基 金:教育部人文社会科学研究青年基金项目"十七年文学杂志与文学生产"(批准号:10YJC751118)
摘 要:在"新的人民的文艺"的体制压力下,1956年复刊的"笔会"副刊,实是被排斥在主流之外的"旧文人"或"盛世遗民"们展开"文化斗争"的场所。"笔会"刊发的词、诗、小品、笔记、赋等文人文章,广涉历史掌故、地方风物、酬唱应答。它们不仅复活、召唤了旧式文人遗世独立、游离现实的审美趣味与人生情怀,且多少恢复了被"阶级"重塑了的古典文学与新文学的自我形象。"笔会"由此构成当代文学内部的传统"幽魂"与异议空间。Under the pressure of the "new people's literature and art"system,the "supplement"of the pen club,which resumed its publication in 1956,was virtually an arena for "cultural struggle"conducted by "scholars of the past era"or "adherents of the prosperity era"who were excluded from the mainstream culture. Literati writings published by the "pen club"like Ci poems,poems,essays,diaries,Fu,etc. mostly involve historical anecdotes,local scenery and responses in the form of dedication poems,thereby not only having revived and summoned traditional intellectual'solitary and aloof aesthetic taste and life feelings but also somewhat restored the self-image of classical literature and new literature which was reshaped by "class". Therefore,the "pen club"constituted the space for traditional "spirits"and dissent within contemporary literature.
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