现代电视与当代说唱艺术兴衰——以相声为例  

Modern TV and the Vicissitude of Contemporary Rap Art——A Case Study of the Cross Talk

作　　者：陈建华[1] 

机构地区：[1]泰山学院文传学院,山东泰安271021

出　　处：《海南师范大学学报（社会科学版）》2016年第4期120-125,共6页Journal of Hainan Normal University(Social Sciences)

基　　金：2010年度教育部人文社会科学研究一般项目"相声艺术研究"(编号:10YJC760004)

摘　　要：电视的盛行加速了说唱艺术的没落:一是电视平台扭曲了说唱的艺术。其固有的节奏和结构逐渐丧失,剧场效应被破坏,传统的创作机制被撕裂。二是电视产业动摇了说唱艺术的市场根基。电视夺走观众,干枯了说唱的血脉;带走艺人,撼动了说唱的骨干;挖走了作者,截断了说唱的源头。但是,当代说唱艺术要振兴必须要借助电视扩大艺人知名度,拓展说唱产业生存空间。说唱艺术适应电视平台的途径主要有:一是强化说唱艺术的戏剧性,大力发展戏剧性强烈的种类,打造完整的"戏剧情境"。二是结合电视平台打造说唱艺术新种类。The popularity of TV has accelerated the decline of the rap art. Firstly,TV has distorted the rap art,as is shown in the gradual loss of the latter＇s inherent rhythm and structure,in the destruction of its theatrical efficacy and the disruption of its traditional creation mechanism; secondly,the TV industry has shaken the market base of the rap art,for many viewers have been drawn away by TV and its source blocked,etc. However,the revival of the rap art must depend on TV so as to enhance the popularity of artists and expand the scope of the rap industry. Major ways to adapt the rap art to TV include 1） the strengthening of the theatricality of the rap art so as to develop certain types of rap art marked by strong theatricality and to initiate the holistic ＂dramatic situation＂; and2） efforts to construct new types of the rap art in collaboration with TV.

关 键 词：当代说唱艺术 现代电视 艺术新种类 

分 类 号：J826[艺术—戏剧戏曲]