皎然《诗式》中的风格论  

Analysis of the Style in Poetry Style by Jiaoran

作　　者：于艳军[1] 王则远[1] 

机构地区：[1]齐齐哈尔大学文学与历史文化学院,黑龙江齐齐哈尔161006

出　　处：《齐齐哈尔大学学报（哲学社会科学版）》2016年第5期87-89,共3页Journal of Qiqihar University(Philosophy & Social Science Edition)

摘　　要：有关风格的探讨由来已久,唐代著名诗僧皎然对于这一问题,在学习借鉴前人理论成果的基础上,提出了独具个性的观点。本文着重论述了皎然的风格论,重点阐释了其"辩体有一十九字"和追求"适度中和"的诗歌美学风格。在诗歌创作方面,皎然的风格是清逸、高远的,在评价诗人诗作时,皎然仍能秉持这样的观念,用中道观去鉴赏,以别具一格的方式诠释诗歌的风格。The discussion on style has a long history. The famous poetic monk Jiao Ran of Tang Dynasty proposed his unique ideas on the basis of the former theoretic achievements. The thesis mainly discusses Jiao Ran＇s style theory,putting emphasis on the explanation of the two poetic aesthetic styles： the distinction with 19 words and the quest for modest neutralization. In the aspect of poetic creation,the style of Jiao Ran＇s is fresh and lofty. When evaluating poets＇ works,Jiao Ran still held the ideas of appreciation in neutral view and explanation in an unique way.

关 键 词：风格 辩体有一十九字 适度中和 

分 类 号：I207.22[文学—中国文学]