论金东里《巫女图》中的东方文化观  

discussing the Oriental Cultural Views in Portrait of Miko by Kin Dongli

作　　者：刘玉[1] 

机构地区：[1]河南大学文学院,河南开封475001

出　　处：《齐齐哈尔大学学报（哲学社会科学版）》2016年第5期92-94,100,共4页Journal of Qiqihar University(Philosophy & Social Science Edition)

摘　　要：韩国作家金东里的短篇小说《巫女图》植根于韩国民俗,着力挖掘朝鲜民族独特的民族风采。展现了韩国传统萨满教文化与西方基督教文化之间的冲突,以及伴随着这种冲突而来的对人神关系和人类救赎的不同认识。泛神崇拜的韩国传统文化与一神崇拜的基督教文化在《巫女图》中呈现两种不同的救赎之路:对自然的皈依与认同和对上帝的皈依与认同。而作为基督教徒的作家金东里却在作品中更多地表现出了对韩国传统文化的认同,这种认同使人们进一步思考东方文化复兴的必要性与重要性。Portrait of Miko,the short story of South Korean writer Kin Dongli,is rooted in Korean folk,focusing on digging the Korean unique national style,showing the conflict between traditional Korean shaman culture and western Christian culture,and displaying different understandings on the relationship between god and human and human salvation accompanied by the conflict. Because of the discrepancy between the Polytheistic worship in South Korean culture and the Monolatry in Christian culture,two different ways of redemption are presented in Portrait of Miko： one is conversion and identity to nature; and the other is to god. However,as a Christian writer,Kin Dongli shows his identity to traditional Korean culture in the works,which enables people to think further the necessity and importance of the Oriental Cultural Renaissance.

关 键 词：《巫女图》 巫文化 基督教 救赎之路 东方文化观 

分 类 号：I312.074[文学—其他各国文学]