中日《天台禅林寺智者大师画赞》梵呗解析  

A Comparative Analysis of the Chinese and Japanese Buddhist Hymns of " Master Chih-i of Tiantai Buddhist temple"

作　　者：刘勇[1] 

机构地区：[1]杭州师范大学教育学院,浙江杭州311121

出　　处：《美育学刊》2016年第3期103-107,共5页Journal of Aesthetic Education

基　　金：浙江省哲学社会科学规划课题<〈天台禅林寺智者大师画赞〉唱谱研究>(14NDJC036YB)的研究成果

摘　　要：源自于中国的日本天台宗佛教音乐,虽然经过日本本土的传承和演变,在佛教音乐的名称上存在不同,但依然显露出中国汉文化的特点。而中国天台宗佛教音乐则明显具有中国传统音乐和江南地域的特色。珍藏于日本国天台宗鱼山太原寺的《天台禅林寺智者大师画赞》与浙江天台山国清寺传承的《天台禅林寺智者大师画赞》两份梵呗是很好的例证。The Japanese Tiantai Sect Buddhist M usic,w hich originated from China,has evolved and gone through development in its localization in Japan.Compared w ith the Chinese Tiantai Sect Buddhist M usic,w hich is characterized by Chinese traditional music and regional features of Yangzi river delta,the Japanese one,though named differently,retains the essence of Chinese culture.This can be w ell proved by the tw o enshrined Chinese and Japanese Buddhist hymns of ＂ M aster Chih-i of Tiantai Buddhist temple＂.

关 键 词：中国天台宗 日本天台宗 《天台禅林寺智者大师画赞》 梵呗 

分 类 号：J608[艺术—音乐]