苏童小说的审丑艺术钩沉  

The aesthetic art of Su Tong's Novels

作　　者：沈文平[1] 张全之[1] 

机构地区：[1]重庆师范大学文学院,重庆401331

出　　处：《凯里学院学报》2016年第2期107-111,共5页Journal of Kaili University

基　　金：重庆师范大学文学院研究生学术创新项目"苏童审丑艺术研究"(项目编号:WXY14YJS010)

摘　　要：20世纪80年代,受西方存在主义和十年文革创伤的双重影响,先锋作家们纷纷写出了以丑为审美对象的作品。作为先锋作家的一员,苏童在作品当中对于丑的摹写和反映,始终是极为自觉的。他的许多作品因为内容上的丑而被视为审丑艺术的典型。因而从丑、审丑的相关阐释,苏童小说的审丑表征和审丑价值三个方面来探讨苏童小说的审丑艺术,可以从一个特定的角度完成对苏童小说的烛照。in 1980 s,with the dual influence of the Western existentialism and the ten years of the cultural revolution,the pioneer writers wrote the works of the ugly as the object of aesthetics. As a member of the Pioneer Writers,Su Tong in the works to depict the ugly,is always extremely conscious.Many of his works because of the content of the ugly and is regarded as the typical art of ugliness. And from the interpretation of ugliness,ugliness,Su Tong＇s novel the ugliness of characterization and aesthetic value of three aspects to explore the aesthetic art of Su Tong＇s novel,from a specific angle to complete illumination of Su Tong＇s fiction.

关 键 词：苏童 丑 审丑 人性 审丑价值 

分 类 号：I207.42[文学—中国文学]