以漓江为中心的文学叙事——“广西当代多民族文学研究”系列论文之二  

Lijiang-centered Literary Narrative——Part 2 of “Guangxi Contemporary Multi-ethnic Literary Study” Series

作　　者：黄伟林[1] 

机构地区：[1]广西师范大学文学院,广西桂林541004

出　　处：《广西师范大学学报（哲学社会科学版）》2016年第2期72-79,共8页Journal of Guangxi Normal University(Philosophy and Social Sciences Edition)

基　　金：国家社科基金重大招标项目"桂学研究"(12&ZD164);广西哲学社会科学规划2013年度研究课题"广西多民族文学的共同发展"(13BZW004);广西人文社会科学发展研究中心"桂学研究团队"阶段性成果

摘　　要：当代广西作家的"漓江叙事"已然突破了中国古代作家为漓江限定的叙事范畴,在传统中原文化的浸润外,纳入了广西其他少数民族文化的人文气息,也直面了来自外国的"文化入侵",书写了"文化入侵"语境下中国人的内心创痛。作为举世闻名的美丽河流,漓江承载过经典的中国古代诗歌,也应该承载真正的现代文学经典;当代作家应该高度重视"漓江"这一重要的文化资源,力争写出当代"漓江叙事"的经典作品。The ＂Lijiang River narration＂ written by contemporary Guangxi writers has already broken through the scope which ancient Chinese writers defined.Other than the infiltration of traditional Central Plain culture,this narration not only absorbs the humanist atmosphere of Guangxi ethnic minority culture,but is confronted with the invasion of foreign culture.It represents Chinese people＇s trauma under the influence of＂cultural invasion＂.As a world-famous beautiful river,the Lijiang has been complimented a lot in ancient classical Chinese poetry,and thus should be involved in modern literary masterpieces.Contemporary writers should attach great importance to the cultural resources of the Lijiang River and contribute to contemporary＂Lijiang River Narrative＂masterpiece collection.

关 键 词：漓江叙事 挽歌 精神建构 

分 类 号：I206.7[文学—中国文学]