“文学场”与索尔仁尼琴文学创作的历史价值  

“The Field of Literary Production” and the Historical Values of Solzhenitsyn's Literary Creation

作　　者：张建华[1] 

机构地区：[1]北京外国语大学,北京100089

出　　处：《外国文学》2016年第3期3-12,共10页Foreign Literature

基　　金：教育部2007年重大项目"苏联解体后俄罗斯文学最新发展"(07JJ751075)

摘　　要："文学场"的概念如今已经成为文学社会性、接受美学、大众文化研究的一扇重要窗口。索尔仁尼琴的创作始于后斯大林时代新的"文学场":对文学"身份"的新理解、对艺术审美本质的新认知、"新启蒙意识"发生的新语境。论文以小说《伊万·捷尼索维奇的一天》为例,说明作家时代感极强的文学文本充满了创作主体强烈的历史自觉,具有明显的社会思想史和文学史的症候性,展示了当代俄罗斯文学新的时代性。小说的意义不止是对苏联社会政治历史的反思和入的审视,它还是作家为当代俄罗斯文学叙事打造的一个新的文体范例。The concept of ＂the field of literary production＂ has become an important lens through which to study the sociality of literature, reception aesthetics, and mass culture. Solzhenitsyn＇s literary creation started in the post-Stalin era when the idea of the ＂field of literary production＂ was gaining currency. The notion signifies a new under- standing of the literary identity, a new perception of aesthetics, and a new context of the Enlightenment awareness. This paper, by examining the novella, One Day in the Life of Ivan Denisovich, argues that the literary text with a marked sense of the author＇s contemporary times shows the creative subject＇s strong historical awareness. Being symp- tomatic of the intellectual and literary history of the era, it manifests the new spirit of the age in contemporary Russian literature. The significance of the novella lies not only in its reflection of the Soviet social and political history and its scrutiny of humanity, but also in its being a stylistic exemolar for contemoorarv Russian literary narratively_

关 键 词：文学场 索尔仁尼琴《伊万·捷尼索维奇的一天》历史价值 

分 类 号：I512[文学—其他各国文学]