法国当代“新虚构”小说——兼论昆德拉小说中的“新虚构”色彩  

The“New Fiction” in Contemporary France and Kundera's “New Fiction" Novels

作　　者：车琳[1] 

机构地区：[1]北京外国语大学,北京100089

出　　处：《外国文学》2016年第3期49-57,共9页Foreign Literature

基　　金：中央高校基本科研业务费专项资金"法国当代新虚构小说研究"(50010100)

摘　　要：在法国文坛,喧嚣尘上的"新小说"在90年代趋于沉寂,"新虚构"文学流派以清新的面孔登上舞台。"新虚构"反对以描摹和反映现实为宗旨的传统文学创作理念,拒绝将虚构从属于现实,强调虚构的自由,重视想象的空间,主张一种超越"虚"与"实"二元对立的文学创作。米兰·昆德拉在小说创作中重视虚构和想象,将梦境、奇幻和神话元素越来越多地融入到叙事策略中,具有明显的"新虚构"色彩。本文试图结合昆德拉的小说作品来阐述"新虚构"的文学主张和创作特征。"新虚构"具有后现代小说美学特征,也是许多当代作家在探寻小说创作的过程中一种不谋而合的选择。Since the 1990s, on the French literary scene, the new novel has given way to a new school called ＂new fiction＂ that ＂prefers the imagination to reality, the il- lusion to the authenticity, the invention in the representation＂. Beyond the real or the unreal, it surpasses dualism and refuses to consider fiction as fictionalization of the sup- posed reality. Claiming independence and free exercise of fiction, the ＂new fiction＂ writers often use the various means such as myth, fairy tale, fantasy, dreams, etc. to liberate imagination. Through analyzing Milan Kundera＇s novels, this article aims to de- scribe the ＂new fiction＂s literary concept and aesthetic characteristics, which are consistent with postmodern narrative strategies.

关 键 词：新虚构 米兰·昆德拉 法国当代文学 叙事学 

分 类 号：I565[文学—其他各国文学]