鲁迅小说《祝福》内涵新探  

Reanalysis of Lu Xun's Novel Blessing

作　　者：邱诗越[1] 

机构地区：[1]武汉大学文学院

出　　处：《中州学刊》2016年第4期150-153,共4页Academic Journal of Zhongzhou

基　　金：中国博士后科学基金资助项目"文学地理与时空塑形"(2013M542043)

摘　　要：仪式作为传达观念意识的一种方式,对人们的意识行为和思维方式有强烈召唤和规约作用。仪式意象书写作为鲁迅小说《祝福》里的一种重要叙事手段和叙事策略,是文本意义赋予和内涵阐发的途径。小说《祝福》以祥林嫂的现实存在和可以预见的未来存在为视角,以仪式意象为载体,通过仪式描写来审视祥林嫂的存在现实,直抵当时女性存在的生命伦理与现实遭际。《祝福》的仪式意象书写反映了封建礼教吃人、社会历史吃人、人吃人的普遍社会现象,揭穿了作为被"吃"者的虚幻自我存在感和自我维护方式,表达了对人的二律背反存在和"圆满存在"的探寻和追问。鲁迅通过仪式意象书写表达了对旧社会中国妇女命运的关切与忧虑。As a way of conveying concept and consciousness, ceremony exercises a great influence on people＇s consciousness, ac- tion and mode of thinking by guidance and restriction. As one of the important narrative techniques and narrative strategies in Lu Xun＇ s novel Blessing, the ceremony image narration was the way of significance endowment and connotation analysis. From the perspective of Mistress Xiang lin＇s reality existence and the foreseeable future existence, and taking ceremony image as the carrier, the novel Blessing examined Mistress Xiang lin＇s existence reality by ceremony description, and revealed life ethics of female survival and the real condi- tion of life about women at that time. The ceremony image narration in Lu Xun＇s novel Blessing reflected a common social phenomenon that the feudal ethical code killed people, social history killed people, and people killed people, exposed victim＇s illusory sense of self existence and ways of self-protection, expressed Lu Xun＇s exploration and inquiry on human existence of antinomy and ＂perfect exist- ence＂. By the ceremony image narration in the novel Blessing, Lu Xun expressed his concern and anxiety about the fate of Chinese women in the old days.

关 键 词：鲁迅 《祝福》 仪式书写 封建礼教 妇女命运 

分 类 号：I207[文学—中国文学]