论青木正儿《中国近世戏曲史》的域外语境特色  

The Western and Japanese Context of Aoki Masaru's A History of Modern Chinese Opera

作　　者：曹莉[1] 

机构地区：[1]湖南大学外国语学院

出　　处：《戏剧艺术》2016年第3期91-100,共10页Theatre Arts

摘　　要：青木正儿的《中国近世戏曲史》一直受到较高评价。值得注意的是,作为域外汉学研究成果,青木在地理环境论影响下采用南北框架史述模式;在西方戏剧观念影响下重视情节结构、关注剧场结构方面的研究,是受近代日本学术潮流的影响,充分体现了近代日本文化语境特色。充分了解这一点,对青木正儿中国戏曲研究的整体认识和评价有着重要意义。Aoki Masaru＇s A History of Modern Chinese Opera has been very highly evaluated. It should be noted, however, that as a Sinology researcher, Aoki Masaru＇s North-South Framework research mode was influenced by western theories of ＂geographical environment determinism＂ and his emphasis on opera structure and theatre studies demonstrates western perceptions of drama. With these western influences, his study is also affected by the academic trend in Modern Japan and fully embodies the characteristics of a modern Japanese culture context. Understanding this point is crucial for us to be able to comprehend and evaluate Aoki Masaru＇s study of Chinese drama.

关 键 词：青木正儿 戏曲史 南北框架 情节结构 剧场结构 

分 类 号：J80[艺术—戏剧戏曲]