清代云南诗歌批评中的审美批评  

Aesthetic Criticism of the Yunnan Poetry Criticism in Qing Dynasty

作　　者：李潇云[1] 

机构地区：[1]云南民族大学教务处,云南昆明650031

出　　处：《云南农业大学学报（社会科学版）》2016年第3期117-122,共6页Journal of Yunnan Agricultural University(Social Science)

基　　金：云南民族大学引进人才科研启动基金项目(2014RC006)

摘　　要：清代云南诗歌批评有两种主要表现形式,一是诉诸于审美直觉的判断,二是诉诸于日常积累的知识、经验的判断。前者主要是直觉判断,表现在以"真"为美、以"清"为美、以"中和"为美的审美批评原则上;后者则包括对日常生活中诗人道德品行的判断以及文学艺术活动中对是否符合"温柔敦厚"、"思无邪"等思想内容的判断。可以说,清代云南诗学一方面展示了审美批评的自觉,一面又呈现了道德批评的焦虑。二者并行不悖,共同构成了清代云南诗学的主要话语。Yunnan poetry criticism,there are two main forms,in Qing Dynasty. one resorts to intuitive judgment,and the other resorts to the daily knowledge accumulation and the experience judgment analysis. The former is intuitive judgment,it is mainly manifested in the aesthetic criticism of the beauty of ＂true＂,＂clear＂and ＂harmony＂. The latter includes the poet＇s morality and character judgment in daily life,as well as the style judgment of＂gentle＂,＂thought of Justice＂and other ideological content in the literary and artistic activities. In conclusion,Yunnan poetics in Qing dynasty present the characteristic of combing aesthetic criticism with moral criticism

关 键 词：清代 诗歌 审美批评 道德批评 清 真 中和 

分 类 号：I206.2[文学—中国文学]