日常·去蔽·戏中戏——《即墨侯》的历史叙事  

On the Historical Narratives of Ji Mo Hou

作　　者：陈少萍[1] 

机构地区：[1]肇庆学院文学院,广东肇庆526061

出　　处：《肇庆学院学报》2016年第3期12-14,共3页Journal of Zhaoqing University

摘　　要：《即墨侯》中郭家绵延几代人的家族历史与民国至解放后的岭南大历史,并置在作家个人化的书写里,以小见大,传达作家对历史的想象和理解;作家调动了各种写作手法,郭家狗的全知视角、变换的叙述时态、旁人回忆、作者插叙等,使被叙述的事件呈现出立体多维的形态,着力还原被遮蔽的历史和生存故事;"戏中戏"的诵读方式则给庸常的和平年代注入一股厚重的历史感,使端砚文化与制砚人的家族传统再次成为支撑整部作品的精神内核。Ji Mo Hou intertwines the continuous history of generations of Family Guo with the long history of South Guangdong from the time the Republic of China was established until the time after PRC was established. The result is a very personalized book, which reflects Family Guo＇s life as a microcosm of the immerse history taking place around them, and in turn demonstrates the writer＇s imagination and comprehension of the history. The writer uses various writing techniques, such as Jiagou Guo＇s omniscient perspective, switching narrative tenses, memories from bystanders and interposed narration from the writer, etc. This type of narrative creates a multi-dimension view of the events, and restores the depth of the hidden history, joy and tragedy found in their life stories. The book unfolds a＂play within a play＂, injects a rich appreciation of cultural and traditional life in ordinary and peaceful times, and enables the culture of Duan inkstone and the family tradition of inkstone makers to be the spiritual core of the entire book again.

关 键 词：《即墨侯》 历史叙事 宏大 日常 去蔽 戏中戏 

分 类 号：I207.425[文学—中国文学]