文化创意产业空间布局及动力机制:伦敦与上海比较研究  

The Spatial Distribution and Dynamic Mechanism of Cultural and Creative Industries:A Comparative Analysis between London and Shanghai

作　　者：赵讷 汪明峰[1,2] 

机构地区：[1]华东师范大学中国现代城市研究中心 [2]华东师范大学城市与区域科学学院

出　　处：《城市观察》2016年第3期144-155,共12页Urban Insight

基　　金：国家自然科学基金项目“长三角地区新兴信息产业演化与城市区域空间组织研究”(41371175);教育部人文社会科学重点研究基地重大项目“战略性新兴产业与全球城市区域(城市群)发展研究”(13JJD840010)

摘　　要：伦敦是世界上公认的"创意之都"。从1998年伦敦政府首次提出"创意产业"这一概念至今,很多国家和地区纷纷效仿并发展具有本国特色的文化创意产业。2005年,上海首批创意园区挂牌成立,文化创意产业随之蓬勃发展起来。本文在文化经济和知识经济的时代背景下,选取伦敦和上海这两个国际化大都市,从文化创意产业的空间布局及其动力机制两个方面进行比较分析,并对上海及其他城市完善文化创意产业的发展提出了对策建议。London is commonly known as a world＇s creative capital. Ever since the London authority defined the ＂creative industry＂ in 1998, many countries and regions have been developing the specified cultural and creative industries as London does. In 2005, the first range of creative parks was registered in Shanghai, which opened a gateway to the flourishing development of cultural and creative industries. In the era of cultural economy and knowledge economy, we choose London and Shanghai as our research objects to conduct a comparative analysis on the spatial distribution and dynamic mechanism of the cultural and creative industries within these two international metropolises. Furthermore, we put forward some countermeasures for Shanghai on the comprehensive development of cultural and creative industries.

关 键 词：文化创意产业 空间布局 动力机制 伦敦 上海 

分 类 号：F119.9[经济管理—国际贸易]