没有匠气的匠气——由“匠气·第四回:装置艺术展”想到的  

Craftsmanship without Craftsmanship: Reflections on “Artisan & Craftsmanship 4: Exhibition of Installation Art”

作　　者：梁丽霞[1] 

机构地区：[1]天津美术学院艺术与人文学院

出　　处：《天津美术学院学报》2015年第12期70-81,共12页Northern Art:Journal of Tianjin Academy of Fine Arts

摘　　要：在以往的美术批评中,"匠气"一词并不具备褒义的色彩,它往往跟工致精美但缺乏灵韵联系在一起。但在当下,社会快速发展,艺术界也难免浮躁之气,那些安于做一个手艺人的艺术家却能够沉静下来,并借助新兴媒介将传统匠人对待手工艺的态度运用于当代艺术中。在本期我们所关注的"匠气·第四回:装置艺术展"中,艺术家将匠人的手艺和常用的材料加以艺术加工,体现了对"匠心"的运用,也是新时代对工匠执着、专业精神的一种回应。In the past art criticism, the word “craftsmanship” normally had no commendatory meaning;it was often associated with exquisite crafts yet lack of aura. Currently, however, with the rapid development of the society, impetuousness is also inevitable in the art circles. Yet, those artists who are content with being craftsmen are able to remain calm, and make use of the new media to integrate the traditional craftsmen＇s attitude toward handicraft into contemporary art. In the “Artisan ＆ Craftsmanship 4 ： Exhibition of Installation Art” focused on in this issue, the artists treat craftsmen＇s skills and commonly used materials in an artistic manner, which is an embodiment of the application of“craftsmanship”, and a response to craftsmen＇s persistence and professionalism in this new era.

关 键 词：美术批评 新兴媒介 艺术加工 文人画家 学术主持 胜中 策展人 邹一桂 职业画家 李洪波 

分 类 号：J5[艺术—艺术设计]