苏联后期摇滚诗歌的诗学特征  

The Features of Russian Rock-and-Roll Poetry in the Counterculture Phase

作　　者：马卫红[1] 

机构地区：[1]浙江外国语学院西方语言文化学院,浙江杭州310012

出　　处：《浙江外国语学院学报》2016年第3期78-83,105,共7页Journal of Zhejiang International Studies University

基　　金：文化部文化艺术科学研究项目(14DH55)

摘　　要：从20世纪80年代开始,苏联摇滚诗歌逐渐从亚文化阶段转向反主流文化阶段,其主要推手是深刻的社会危机、苏联官方意识形态的逐渐瓦解以及青少年自我认识的不断成熟。这一阶段摇滚诗歌的特点主要表现在三个方面:歌词文本直面社会生活中的迫切问题,具有鲜明的社会性和反抗精神;创作主题具有二元对立性,即"两个世界"的对立、"我们"与"他们"的对立;抒情主人公被塑造成摇滚英雄的形象。Russian rock-and-roll poetry has transferred from subculture to counterculture phase since the1980 s. It originates in the severe social crises,the gradual collapse of official ideology of the Soviet Union and the maturity of youth self-realization. The features of counterculture lie in the following three aspects： the poetry version has the distinct social tendency and revolt spirit for it faces squarely the urgent social problems;the creative theme has its duality antithesis,that is,the antithesis of the two worlds and the antithesis of＂we＂and ＂they＂; the lyric protagonists have been shaped into rock-and-roll heroes.

关 键 词：摇滚诗歌 苏联 反主流文化 审美取向 创作主题 抒情主人公形象 

分 类 号：I512.072[文学—其他各国文学]