《文心雕龙》“物”范畴的多层次内涵  

Connotations of “wu” in The Literary Heart and the Carving of Dragons

作　　者：吴建民[1] 夏新秀[1] 

机构地区：[1]江苏师范大学文学院,江苏徐州221116

出　　处：《太原师范学院学报（社会科学版）》2016年第3期52-55,共4页Journal of Taiyuan Normal University:Social Science Edition

摘　　要："物"是古代文论的核心范畴,在古代文论建构中具有举足轻重的作用。《文心雕龙》是古代最重视"物"范畴的文论著作,全书有二十篇文章运用"物"范畴阐释其理论观点。《文心雕龙》的"物"范畴涉及创作发生论、艺术想象论、艺术表现论等多方面理论,对其展开研究是把握古代文论"物"范畴丰富内涵的一把钥匙。＂Wu＂,a core concept in classical Chinese literature criticism,plays an important part in the history of classical Chinese literature criticism. It is highlighted in ＂The Literary Heart and the Carving of Dragons ＂,in which the concept is interpreted in 20 essays. From the perspectives of modern critics,the concept ＂wu＂is related to creation occurrence,artistic imagination and art expression and some other aspects. Therefore the research on it will be serve as a key to understand rich connotation of ＂wu＂in ancient Chinese literature criticism.

关 键 词：文心雕龙 “物”范畴 古代文论 

分 类 号：I206.2[文学—中国文学]