论桐城歌中女性话语及情感美学特征  

An Analysis of Female Discourse and Emotional Aesthetics in the Tongcheng Folk Song

作　　者：陶运宗[1] 

机构地区：[1]桐城师范高等专科学校桐城派学术研究中心,安徽桐城231400

出　　处：《太原师范学院学报（社会科学版）》2016年第3期64-69,共6页Journal of Taiyuan Normal University:Social Science Edition

基　　金：安徽省人文社科重大项目<全媒体环境下桐城歌文献整理与利用研究>(SK2015ZD30);安徽省人文社科项目<桐城派文化课程资源开发和利用研究>(SK2013B523);桐城师专校级课题<桐城派旅游文化研究>

摘　　要：桐城歌是民歌类国家级非物质文化遗产,巨量的桐城歌文献以及其活态传承形式,使之成为研究桐城地域文化生态的重要资源。桐城歌保存了大量以情本主义为核心的女性歌谣文本,展现了被历史遮蔽的女性情感世界,交织着性灵自由与义理规训的多重美学特征。桐城歌研究有利于开拓由桐城派诗文建构的单一地域文化体系,还原桐城地域文化生态多元性本质,有利于推进地域文化史的研究。Tongcheng folk song is a national intangible cultural heritage. A huge amount of folk song literature as living legacy becomes an important resource research of Tongcheng regional culture. In those folk songs are a lot of women＇s songs focusing on their emotions,which shows their emotional world and aesthetic features. Research on Tongcheng women＇s songs is helpful to develop the single regional culture constructed on the basis of Tongcheng literature,thus promoting development of regional cultural ecology.

关 键 词：桐城歌 文献整理 女性意识 文化生态 

分 类 号：I206[文学—中国文学]