青海囊谦嘛呢石刻女性艺人调查  

Manis Stone Women Artists Survey of Qinghai Nang-qian

作　　者：杨桂香[1] 岳跳跳 

机构地区：[1]青海民族大学艺术系,青海西宁810001

出　　处：《内蒙古大学艺术学院学报》2016年第2期42-48,共7页Journal of Art College of Inner Mongolia University

基　　金：青海民族大学2015年校级人文社会科学青年项目[项目编号:2015XJRS014]阶段性成果

摘　　要：嘛呢石作为藏族对藏传佛教崇拜表现形成的一种具体产物,承载并传达着藏族古老而独特的文化。由于囊谦在历史上所处的地理位置特殊,赋予了它独特的政治历史经历,形成了既有藏区嘛呢石文化的共性又蕴涵着当地的特色。本文以四位女性艺人为个案,对囊谦嘛呢石刻女性艺人从事雕刻的成因、发展现状做了初步的探究。Stone as a Tibetan Buddhist worship formed a specific product,bearing and communicate with Tibetan ancient and unique culture.Because thecapsule modesty in the history of the special geographical position,give its unique political history experience,formed from Tibetan areas,yet the mini-sculpture commonness and contains the local characteristics.In this paper,four women artists as a case of capsule modest.Artists engaged in the cause of carving,Mani stone carving women development makes a preliminary inquiry.

关 键 词：囊谦 嘛呢石 女性艺人 

分 类 号：J314.3[艺术—美术]