严歌苓小说的空间意象与文化隐喻  

Spatial Images and Cultural Metaphors of Yan Geling's Fiction

作　　者：刘红英[1] 

机构地区：[1]浙江越秀外国语学院

出　　处：《华文文学》2016年第3期91-95,共5页Literatures in Chinese

基　　金：国家社会科学基金项目"文化伦理视域下的新移民女作家小说研究"(项目编号:15BZW145);"七十年代台湾文学话语场域与文学叙事的转换研究"(项目编号:14BZW130);校级科研项目"海外华文作家文化伦理观研究的阶段性成果"(项目编号:QD15027)

摘　　要：严歌苓小说中空间意象如草地、草原与地窖,都与神话思维有关,其喻指性关涉天堂、地狱、炼狱三重文化内涵,涵摄了作者对社会现实的批判与对理想人性的追求。阁楼、大海等空间意象,显示出的焦灼、彷徨与无奈的主体真实意图。对严歌苓小说空间意象价值蕴含的分析,不仅能够增强对严歌苓小说艺术性的理解,而且能够深入掌握其在双重文化语境下对新移民的生存处境和身份焦虑的思考,体现了在新的历史条件下严歌苓的人文关怀。Spatial images in Yan Geling＇s fiction, such as lawn, grassland and cellar, are all related to mythological thinking, their metaphors referring to the three-level culture of paradise, hell and purgatory, that contains the author＇ s critique of social realities and her pursuit of ideal humanity. On the other hand, spatial images such as attic and ocean reveal the true intention of a subject that is anxious, oscillatory and helpless. An analysis of the values contained in Yan Geling＇ s spatial images will help not only enhance one＇ s understanding of her fictional artistry but also get a handle on her thoughts on the existential circumstances and identity anxiety of new migrants in a dual-cultural context, showing Yan Geling＇s human and cultural concerns in a new cultural situation.

关 键 词：空间意象 人性关怀 文化隐喻 

分 类 号：I207[文学—中国文学]