从《八旬万寿盛典图》看乾隆时期清宫的戏曲活动——以避暑山庄清音阁为例  

Learning Opera Activities in the Qing Court during Qianlong's Reign through Baxun Wanshou Shengdiantu:Taking Qingyin Pavilion in the Mountain Resort as an Example

作　　者：王颖[1] 杜鹃[1] 王建楠[1] 

机构地区：[1]河北民族师范学院图书馆,河北承德067000

出　　处：《河北民族师范学院学报》2016年第3期7-12,共6页Journal of Hebei Normal University For Nationalities

摘　　要：戏曲艺术是文化的重要组成部分,清代皇家对戏曲的注重,实际是对中华传统文化的认同。随着乾隆朝经济、文化的繁荣和政治上的需要,避暑山庄进入了它的极盛时期。福寿园清音阁戏台的营建,直接决定着避暑山庄的戏曲活动。避暑山庄清音阁戏台与类似戏台不同,它更富有满、汉、蒙民族艺术与宫廷戏曲艺术相融合的特色。避暑山庄清音阁的营造原因及当年的戏曲活动,不仅为探索我国戏曲艺术发展史提供了重要参考资料,同时对研究宫廷戏曲与民间戏曲的交流与融汇,有不可忽视的历史价值。Opera arts is an important component of culture. The imperial family of Qing Dynasty paid particular attention to the opera, which in fact shows their recognition of traditional Chinese culture. With the rapid development of economy and culture during Qianlong’s reign, plus the need in politics, the Mountain Resort entered its heyday. The construction of Qingyin Pavilion opera stage in Fu Shou Yuan directly determined the opera activities in the Mountain Resort. Qingyin Pavilion opera stage in the Mountain Resort has its special characteristics different from other similar opera stages, with a combination of Han, Mongolian and Manchu cultures and the imperial opera arts. The reason to build Qingyin Pavilion opera stage in the Mountain Resort and the opera activities held in it provide an important reference for the exploration of our opera arts history; meanwhile, they have a historical value which cannot be ignored for the study of the communication and fusion of imperial opera arts and folk opera arts.

关 键 词：清音阁 戏曲 活动 

分 类 号：J826[艺术—戏剧戏曲]