音乐生态学视野下侗族大歌艺术生境的再认识  

Dongzutaige Arts Habitat Survey and Consideration Musical Horizons Ecology

作　　者：孙雷雷[1] 盛连喜[1] 

机构地区：[1]东北师范大学,吉林长春130024

出　　处：《贵州民族研究》2016年第5期95-98,共4页Guizhou Ethnic Studies

摘　　要：民族音乐的形成与其所处环境有密切关系,这既包括自然环境,也包括社会人文环境。在相当长的时间里,他们形成了稳定的音乐生态。但是,随着侗族居住区域的快速现代化,改变了侗族大歌的生境,其礼乐、教育、娱乐的功能也逐渐消退。现代社会导致侗族大歌不再具有神性意义,歌师的地位也日渐边缘化,并且逐步退出民俗舞台,这使得侗族大歌失去了文化根性,面临着音乐文化的生态危机。The formation is closely related to folk music and its environment, which includes both the natural environment,but also social environment. For a long time,they form a stable musical ecology. However,with the rapid modernization of the Dong residential area,changing the Dongzutaige habitat,its music,education,entertainment features also faded. Modern society no longer cause Dongzutaige divine meaning, song teacher＇s position has become more marginalized, and gradually withdraw from the folk scene, which makes Dongzutaige lost cultural roots, which is facing ecological crisis music culture.

关 键 词：音乐生态学 侗族 大歌 艺术生境 探讨 

分 类 号：J607.72[艺术—音乐]