元代吉州窑瓷枕所书周邦彦词考释  

A Textual Research of Zhou Bangyan's Ci Written on the Jizhou Porcelain Pillow of Yuan Dynasty

作　　者：高莹[1] 

机构地区：[1]石家庄学院文学与传媒学院,河北石家庄050035

出　　处：《石家庄学院学报》2016年第4期73-79,共7页Journal of Shijiazhuang University

基　　金：河北省艺术科学重点项目(HBWY2014-Z-G004);石家庄学院博士科研基金项目(14BS007)

摘　　要：南京市博物馆藏元代吉州窑瓷枕,墨书【相思引】【隔浦莲】。以科学的逻辑起点为前提,比对考释词集所传,瓷枕所书的重复字符分别为"娇眼""何事",意思妥帖且合词韵;结合内证、外证可知,周邦彦【浣溪沙】作为本词,枕上所书【相思引】由它改编而来,二者是源流关系;参照瓷枕墨书,校勘辨析【隔浦莲】,"檐花帘影"比"帘花檐影"更合真意,"水亭小"宜归属上片等。误持瓷枕"宋代说"者,释读重复字符为"眼眼""事事"不合情理,据传本【隔浦莲】推测瓷枕烧造年代则逻辑颠倒。在文献记载之外,这方瓷枕作为直观证据,尤其可以补充周邦彦词在民间的传播材料,丰富完善清真词影响史,推进词曲考古传播研究。Xiang Si Yin and Ge Pu Lian were written on the Jizhou porcelain pillow of the Yuan Dynasty in Nanjing Museum. On the base of scientific and logical starting point, the repeated characters are respectively ＂jiao yan＂ and ＂he shi＂ on the porcelain pillow, which are proper and correspond to rhythm. Combining the inside and outside evidences, Huan Xi Sha is the origin and Xiang Si Yin on the pillow is adapted by it. Referring to porcelain pillow, ＂eave flowers and curtain shadow＂ is more coincident with the meaning of ＂curtain flowers and eave shadow＂ in Ge Pu Lian, and the manufactured time of the porcelain pillow is erroneously assumed to be the Song Dynasty. Besides documentary records, the pillow can be regarded as the confirmed evidence. It can especially complement the folk materials of Zhou Bangyan, promoting the archaeological research of ci.

关 键 词：元代 周邦彦 【相思引】 【浣溪沙】 【隔浦莲】 

分 类 号：K875[历史地理—考古学及博物馆学] I207.23[历史地理—历史学]