唐代音乐诗探析  

On the Music Poems of the Tang Dynasty

作　　者：郑蔚萍[1] 

机构地区：[1]莆田学院基础教育学院,福建莆田351100

出　　处：《长江大学学报（社会科学版）》2016年第6期19-21,共3页Journal of Yangtze University（Social Sciences Edition）

基　　金：福建省莆田学院科研基金项目(2014025)

摘　　要：唐代音乐诗以音乐为审美对象,艺术地再现了唐音的曼妙,以及诗人听乐时丰富的心理感受。唐代音乐诗通过诸般艺术手法,如以声拟声、以形摹声、侧面烘托以及双声叠韵词的运用,将乐声给予人们的复杂感受,形象地描摹出来。在为后人提供宝贵的艺术创作经验的同时,唐代音乐诗以其所达到的艺术高度,成为了中国诗歌史上永恒的经典。Music of the Tang Dynasty is the obj ect of the music as the aesthetic obj ect,artistically re-produces the music’s graceful in Tang Dynasty,as well as the rich psychological feeling of the poet when listening to music.Music and poetry of Tang Dynasty through these artistic techniques,such as “sound ono-matopoeia ”,“write the sound”,“side contrast”,and the use of alliteration and assonance word,vividly por-traying people’s complex feelings from music.At the same time,in order to provide valuable experience of artistic creation for future generations,the music of the Tang Dynasty,with the height of its art,has be-come an eternal classic in the history of Chinese poetry.

关 键 词：唐代 音乐诗 特点 艺术手法 

分 类 号：I207.22[文学—中国文学]