论《窝头会馆》与老舍都市平民话剧的互文关系  

On Intertextual Relationship between Wotou Hall and Lao She's Urban Civilian Drama

作　　者：黄岳杰[1] 张娇娇[1] 

机构地区：[1]杭州师范大学人文学院,浙江杭州311121

出　　处：《杭州师范大学学报（社会科学版）》2016年第3期123-127,共5页Journal of Hangzhou Normal University(Humanities and Social Sciences)

摘　　要：《窝头会馆》与《茶馆》等同类都市平民话剧在作品语言形式、主体间性和文化视野等三个层面上均呈现出复杂的互文性关系。从《茶馆》到《窝头会馆》长达半个世纪,其间经历了诸多变迁。这些被冠以"民族色彩浓郁"之剧作的长盛不衰,文学内部传统的互相激发不容忽视。基于此,尝试运用互文性理论解读《茶馆》和《窝头会馆》,可以使我们看出许多文本以外的内容,从而对重新理解类似作品以及当代文学史的发展脉络起到作用。This paper aims to study urban civilian dramas,such as Wotou Hall and Teahouse,in light of intertextuality,so as to explore the complex intertextual relationship among them in terms of linguistic forms,intersubjectivity dimensions and cultural horizons. From Teahouse to Wotou Hall,for half a century the society has experienced great political and cultural changes.Those w ell-know n plays w ith strong national characteristics have been thriving over a long period of time,ow ing to their huge ideological influences as w ell as the traditional literacy. In this regard,the analysis of intertextuality in reference of w orks and authors,in different times w ith diversified historical backgrounds,may help to demonstrate the path for literature development and to understand the choice made by w riters in the face of pressure.

关 键 词：《窝头会馆》 《茶馆》 老舍 刘恒 都市平民话剧 互文性 

分 类 号：I234[文学—中国文学]