电影《红高粱》对民族寓意下的狂欢体现  

Film "Red Sorghum" Embodied in the National Moral

作　　者：张小芹[1] 吕庆阳[1] 

机构地区：[1]河北民族师范学院,河北承德067000

出　　处：《湖北函授大学学报》2016年第11期189-190,共2页

摘　　要：电影《红高粱》改编自诺贝尔文学奖获得者莫言的同名小说,电影版的《红高粱》在情节内容及叙事手法上都与莫言的原著小说存在着一些差异。该部影片在张艺谋导演的执导下,以一种独特的视角,为人们、为观众全新的诠释了一个极具发泄与煽动功能的情感叙事氛围,并伴随着浓厚的隐喻性的语言色彩,通过对这种民族寓意下的狂欢体现,在一个特定的环境、历史情境中将一个国家、一个民族的社会以及意识形态得到了强烈的宣泄,表现出来的是一种为追求自由情境下的爱国主义、民族主义、英雄主义情怀。Catharsis reflects the emotional vent in the adaptation of the movie ＂ Red Sorghum＂. Since the Nobel Literature Prize winner Mo Yan＇s novel of the same name,the film version of ＂ Red Sorghum＂ is in the plot content and narrative techniques and Mo Yan＇s novels there are some differences. The film director Zhang Yimou directed,with a unique perspective for people,for the audience to a new interpretation of a very and inciting function of narrative atmosphere,and accompanied by strong metaphorical language color,through the national implications of Carnival in a specific environment,historical context will be a country,a nation＇s social ideology has been strong. Here is a kind of pursuit of freedom in the context of patriotism,nationalism and heroism.

关 键 词：《红高粱》 张艺谋 民族寓意 爱国主义 自由 

分 类 号：J9[艺术—电影电视艺术]