数字特效造型语言的风格特征研究  

Digital Effects Language Style Characteristic Research

作　　者：袁萱[1] 

机构地区：[1]北京印刷学院新闻出版学院,北京102600

出　　处：《北京印刷学院学报》2016年第3期34-39,共6页Journal of Beijing Institute of Graphic Communication

基　　金：北京印刷学院一般项目"数字特效造型语言及其美学思维研究"(E6201516)成果之一

摘　　要：数字特效历经了模拟自然运动阶段和艺术创新阶段,由过去技术主导艺术效果,转变到如今以艺术主导技术,强调特效创作者的创新能动性。隐形数字特效倾向技术再现、模拟自然现实。显性数字特效却是幻想的、浪漫主义的,侧重风格化和表现性。两者截然不同,代表了两种创作倾向。在秉承"再现客观""功能至上"创作理念的指导下,表现或者再现银幕真实得到的影像画面是写实的,具有现实主义特点。而显性数字特效摆脱复原自然的功能束缚,创造幻想激发想象,表现一个独立于现实世界之外富有想象力的影像视界。特效作为构建电影的艺术形式,它的创造性和艺术性也在促成一种新的表现方式和新的叙事方法。Digital effects has experienced a stage of simulated natural movement and artistic innovation stage. Riptide changes,from the mirror of nature to artistic conception innovation,digital special effects technology leading art effect,by the past to now to the art leading technology,emphasizes the effects of the creator innovation initiative. Digital effects tend to reproduce,simulated natural reality technology, the digital effects dominant is a fantasy,romantic,focusing on the style and expressive,the two distinct represents the two kind of tendency. In adhering to the ＂reappearance objective ＂under the guidance of the concept of ＂function＂creation,performance,or reproduce the screen image of the real get picture is realistic,have the characteristics of realism,to hide in the film image.

关 键 词：数字特效 造型语言 风格特征 

分 类 号：G2[文化科学]